Grade: 64/100
The cinematic experience of Kevin Smith’s new film “Tusk” is unparalleled in terms of discomfort for the the viewers.
The chilling and constantly disturbing scenes of “Tusk” leave the audience with an image burned into their memory: a man cloaked in a walrus suit tailored from human carcasses.
The plot follows a growingly popular podcaster named Wallace Bryton, played by Justin Long, and his venture to Canada to interview a YouTube sensation. When Wallace learns the young Internet star has died, he nearly gives up on the trip. However, a handbill tacked to a billboard in a bar’s restroom intrigues Wallace.
The handbill offers to share the incredible stories of an elderly adventurer. Wallace assumes he has struck gold and immediately calls the man to meet.
Shortly after arriving at the old man’s house, Wallace is drugged by the homeowner, Howard Howe, played by Michael Parks. The next day, Howe informs Wallace that he will soon be turned into a walrus, Mr. Tusk.
Smith’s raw and graphic approach to the film creates an air of tangible terror and brings new meaning to the phrase “best seen on an empty stomach.”
However, Smith combines the constant state of fear and uncomfort with back-breaking humor that could bring anyone to tears. In fact, the movie is an emotional rollercoaster in that its superb sense of humor is constantly interrupted by chilling horror scenes reminding the viewer of the twisted plot.
Michael Parks delivers a stunning performance as the demented serial murderer hell-bent on resurrecting his long lost walrus friend. The various personas Parks takes on shows his true versatility as an actor and adds to the intensity of his character.
Justin Long accomplished the difficult task of transforming his hilarious, sarcastic character at the beginning of the film to a tormented, broken down man on the brink of giving in to his animalistic instincts in becoming Mr. Tusk.
Smith’s use of primitive makeup and costume design only adds to the unsettling scenes showing Long in the walrus suit.
The most disturbing aspect of “Tusk” is the questionable line between fantasy and reality the movie presents. The film begs the question “what if” and, at parts, is so fundamentally grotesque it assures the audience that Smith’s vision of Mr. Tusk is completely accurate if actually attempted.
“Tusk” will surely be an addition to the anthology of unforgettable American horror films.