Score: 3/5
Slow, soothing and mellow — José González’s new album may put you to sleep. Don’t worry, it’s not boring, just relaxing.
“Vestiges and Claws” is the Swedish singer-songwriter’s third full-length album in 12 years. He released several EPs and singles throughout the years, but his most recognizable work may be songs featured in different films or covers.
González’s “Stay Alive” was in “The Secret Life of Walter Mitty” and “Down the Line” was featured in Nicholas Sparks’ film adaptation of “The Last Song,” but one of his most notable pieces is a cover of Swedish electronic group, The Knife’s, “Heartbeats.”
While this album isn’t exactly “Heartbeats,” it’s not bad. González maintains his indie sound and delves into his soft style even more, if that’s possible.
Each song offers gentle strumming on guitar, sure to put the listener into a trance-like state. Everything about this album is zen and different than a lot of other artists in the indie category.
The songs offer a little variety among them, but the ones worth listening to on repeat are “With the Ink of a Ghost,” “The Forest,” “Leaf Off/The Cave” and “Afterglow.” Each one is a little bit different, but still brings that same calming vibe González is known for.
The album only drags when listeners stumble upon some of the longer tracks. Nearly six and a half mellow minutes is fine on occasion, but in this case, it’s just too repetitive.
What’s neat about each song is its attention to detail. Listening closely, each instrument plays its part. Yes, that’s obviously what instruments are supposed to do, but the way González has orchestrated each track is different than the usual noise an individual may sometimes find.
The careful placement of each tool, including González’s voice, brings a harmonious sound to every track, and if listeners have time to dissect a song, they may find themselves mesmerized by these intentional creative choices.
When González isn’t busy with his solo endeavors, he’s a part of the Swedish folk rock band, Junip. The band mirrors the same type of sound of González’s solo work but with a more upbeat tempo.
Overall, “Vestiges and Claws” was another success for González, but if listeners are looking for an album to pump them up, this isn’t it.